
The
Compleat Cruiser is a book well read. L. Francis brings us a snootful of
nautical knowledge, just as you’d expect
a Herreshoff to do. It comes to us in the comically stilted
instructional dialogue between Mr. Goddard and his daughter Primrose (Honest!)
as they cruise around southern New England aboard their 32-foot ketch Viator.
Mrs.
Muldoon saw this illustration after a long, hot day of cutting and positioning
fiberglass panels during a lurid affair involving rotted out chain plates.
“That’ll
be the day,” she snorted after getting rid of her respirator and safety goggles
and combing a small blizzard of fiberglass dust from her hair. She poured not
coffee, but did crack open a couple of beers to mark the end of a hot Virginia afternoon.
It
should be obvious by now that Mrs. Muldoon, Karen, is a first rate cruising
sailor who has been known to do her nails with a rigging knife and is quite
proud to be known as a Boat Babe. What can you say about a lady who lathers up
epoxy and sheets of fiberglass with the aplomb of Julia Child in her kitchen
and can install what felt like a nine thousand pound cast iron exhaust mixing
elbow without swearing like…well, a sailor?
Mrs.
Goddard laments leaving her pinking shears and material at home, preventing her
from deriving something from the fashion magazines and dress patterns that she
brought along on the cruise. At one point Goddard left his wife, daughter Prim
and her friend Veronica in the cabin making dresses while he took the dinghy on
a row around the anchorage assessing, judging and advising on various boaty
bits as a real Herreschoff should.
This
must have been on a subsequent cruise when Mrs. G did remember to bring her
pinking shears, etc.
The
Compleat Cruiser also overflows with
the old time contempt for powerboats, which Herreshoff dismisses as “chrome
plated noisemakers.” His disdain even extends to sailing right past a powerboat
struggling in a squall on Vineyard Sound
between Edgartown and Cuttyhunk. Goddard tells his crew that it would
have been difficult at best for Viator
to have aided the storm tossed noisemaker but also that “it is not customary
for sailboats to offer assistance to a power boat.”
Well,
excuse me! Both times I’ve needed
assistance getting my Golden Gate 30 sloop off the bricks (once in the Cape May
Canal and once on the way into Deltaville, Va. from the Rappanhannock River)
it’s come from a power boat. We’ve all been annoyed by careless wakes and
howling watercraft, but there are times when a chrome plated noisemaker comes
in damned handy.
To
be fair, Herreshoff’s view of Boat Babes is not really all that retrograde.
Primrose and her friend Veronica are smart, capable and cheerful young sailors,
the kind of kids you’d take aboard in a minute. Goddard is well aware of this.
As Herresoff’s avatar, Goddard has a lot to teach and confidence that Prim and
Veronica are more than capable of absorbing it.
Herreschoff
is not at all dismissive, contemptuous
or hostile towards women. He is
reflective of how mid-20th Century sailors looked not so much at women but at
sailing itself.
While
the fictional Goddard set off on a cruise with his wife, his daughter and her
girlfriend, the boat itself was looked at as the definitive man cave. It was a
place where real guys could befog the cabin with cigar smoke, brag about ribald
adventures with the lighthouse keeper’s
daughter and pee over the side without a single civilizing influence to spoil
the fun.
The
great designer Philip Rhodes reportedly never included a double berth in any of
his otherwise perfectly elegant yachts. Cruising under sail was supposed to be a male
bonding experience just as, I suppose, dressmaking was supposed to be for the
ladies of Goddard’s Viator.
A
sailor’s bookshelf is ill found without a copy of The Compleat Cruiser,
for the knowledge passed on to Prim and Veronica is passed on to all of us.
There is basic knowledge, especially of cruising southern New England waters, that
remains valid in the 21st Century and the romance of small ships and
the sea that can never pass out of style.
But
what modern Boat Babe is going to sacrifice a golden day at anchor at Block
Island or behind Gibson Island in the Chesapeake in favor of making dresses
when all she need do is run directly downwind to Talbot’s or the Dress Barn?
It’s
impossible to realize how far we’ve come in fifty-five years without looking
back at the way we used to be.